Thursday, July 23, 2009
Seeing as I really, really love zombie flicks, I had to check this out right away. Apparently, it just got optioned as a movie (like The Hunger Games) and may be out as soon as 2011. I'm not sure what's up with this sudden flood of turning YA books into movies. I guess Twilight was a cash cow and everyone's looking for the next thing that way.
What's not going to make either or these two books easy to turn into movies is that I just don't know how they're going to get a PG-13 rating. And with an R, they're effectively restricting the target audiences of the books. So... We'll see. Both books are visceral and have some pretty gory violence. I wouldn't want this toned down, per se, but it is true that a book leaves the imagery up to your imagination. That can sometimes be way scarier, but violence on screen can be pretty horrific too...
Okay...on to The Forest of Hands and Teeth. So, the story is this. The zombie outbreak happened generations ago. So long ago that all Mary has ever known is the small village in the woods, surrounded by a chainlink fence where the Unconsecrated (undead, flesh-eating zombies!!) wander, moaning and pawing at the fence constantly. (Seriously. They "moan and paw" every time we see them. Now, I think it's a sin to over-thesaurus your writing to death, but like once in a while it might have been good if the zombies whined or screeched.) Mary life like totally sucks. She's in love with Travis, but his big brother Harry is in love with her. Likewise, Travis is courting her best friend Cass. On top of that, her brother hates her and she has to go live with the Sisterhood, a group of creepy nun-like totalitarian rulers, who keep secrets like not telling everyone there's a fenced in path out of the village to God knows where (Mary hopes it's the ocean, which she's heard stories of, but everybody else tells her that the ocean is a myth). And then Mary finds out someone's come in from the outside. But the Sisters don't tell anyone. And the outsider disappears. It goes downhill from there.
With every page I turned in this novel, things got worse and worse. Lots of people died, even people I really liked. There are a thousand things that don't make sense. How did people build this elaborate system of fences while the zombies were attacking them? What does the Sisterhood know about the zombies that they aren't telling? Why is one of the zombies faster than all of the others?
Luckily, there's a sequel, which will hopefully help clear some of this mess up. If there weren't a sequel, I would be extremely mad at this book. Sure, most zombie stories are real downers. After all, society's been destroyed by legions of hungry undead. But this book is really, really, really depressing.
Everything gets worse on every page, but I couldn't stop reading it. It was very compelling and quite fast-paced. There's also a kind of miserable elegance to the book. I really did feel a gut-wrenching sense of despair pretty much the entire time. I'd hoped that Mary would be able to overcome that despair and find some peace. In the end, she kind of does, but it's also hollow, because it's come with such a high price tag.
I'd definitely recommend this book. It's different than any YA book I've read. Certainly, I'd put it in the same vein as The Hunger Games, but it's on a different level in terms of intensity.
Monday, July 13, 2009
For one thing, there was a hugely blatant as-you-know-bob, which just got under my skin. If you aren't aware with the term, an as-you-know-bob is when an author sloppily decides that she is going to be lazy with describing what the heck is actually going on in her book, so she then makes one of her characters describe it to another character, when that character WOULD NEVER do that, because it happens every day. A good example is something like, in a sci fi novel: "As you know Bob, every day we have to get up in the morning and clean out the continuum transverter core, because if we weren't to do that, the entire space station would blow up!"
Or (from City of Bones)":
"I don't know what you're talking about." The blue-haired boy's tone was pained but surly.
"He means other demons," said the dark-haired boy, speaking for the first time. "You do know what a demon is, don't you?"
The boy tied to the pillar turned his face away, his mouth working.
"Demons," drawled the blond boy, tracing the word on the air with his finger. "Religiously defined as hell's denizens, the servants of Satan, but understood here, for the purposes of the Clave, to be any malevolent spirit whose origin is outside our own home dimension—"
"That's enough, Jace," said the girl.
"Isabelle's right," agreed the taller boy. "Nobody here needs a lesson in semantics—or demonology."
(Quick disclaimer: No agent nor editor has ever said my stuff was good enough to make money, and I haven't actually recouped my initial self-publishing investment. Therefore, I may have absolutely no room to talk.)
Aggh..the as-you-know-bob is gallingly pointed out by one of the characters as unneeded. "No one needs a lesson." 'Kay, then. Great. Why'd you use a shortcut and have one of your characters say it?
One other thing sort of bothered me about the book. The writing was...uneven. Well, for one thing, I felt that everything was overly described. I like my descriptions to evoke my own image of the scene, not to completely take it over. But, that's personal preference. The thing that I really didn't like, though, was the way that certain phrases just seemed kind of out of place in the narrative flow.
In one paragraph, the point-of-view character says: "Of course, he could probably have gotten by without all that trouble, but it was part of the fun—fooling the mundies, doing it all out in the open right in front of them, getting off on the blank looks on their sheeplike faces."
Two paragraphs later, he pulls out this gem: "They didn't know how lucky they were. They didn't know what it was like to eke out life in a dead world, where the sun hung limp in the sky like a burned cinder."
Okay, do people who think "eke" really also think the phrase "getting off"?
And furthermore, that whole overwrought simile completely draws me out of the story and forces me to look at the WRITING. I was like, "Oh this is one of those, 'Look at my pretty words' writers." (Okay, I've fallen into this trap too. Luckily, I've got a best friend who tells me that writing, "the blood blossomed like a rose in a time-delayed photograph," is actually a little too over the top.) I prefer to read fiction for the story--especially genre fiction. Or, if you're going to show me your pretty words, you'd better be damned good at it--like Caitlin R. Kiernan, whose prose is beautiful but disturbing.
Right. So whatever. It's not great writing, but, hell, it's not any worse than like L. J. Smith or something. (It's actually mite bit better, quite honestly.)
Anyway, I thought, "Why waste more time on this if it's bad? Let me get a second opinion." So I googled "Cassandra Clare reviews." And what did I run across but this:
At which point, I lost about three hours of my life to reading the entire thing, (and I will never get those three hours back, drat the interwebs!) which basically proves that Cassandra Clare originally wrote HP fanfiction, which she cobbled together with some pretty obvious quotes and references to published stuff and with some...well, not so obvious ones. Essentially, she's a damned plagiarist!!
And people have been talking about this for years and years and years on the web. Dude.
Anyway, I don't think City of Bones is plagiarized, but I do think the six pages that I read were overwritten and had an as-you-know-bob. In short, they read like fanfiction. ('Course, someone over at bellaandedward.com thinks my book reads like Twilight fanfic. So, well, what I think is only my opinion. If you like Ms. Clare--and I read that some people really, really, really like her--please don't flame me. :P)
Will I be reading the rest of this book? Dunno. I think I might give Richelle Mead a whirl next. I remember kind of digging the first few pages of that Vamp Academy book on the look-inside feature on Amazon.
Sunday, July 12, 2009
Why is this? Well, that's a topic for another blog and a completely different discussion entirely.
If you're writing teen books these days then, it's pretty obvious that you're going to try to write something that appeals to girls. In fact, it almost seems that there are no boy books written these days. There are definitely girl books. And there are books which we could safely say appeal to both genders.
As an author of science fiction, traditionally a "boy's genre," what are you to do?
It seems the hot idea these days is to write a book that would traditionally be marketed to boys--but make the main character female, and throw in a dash of romance. What do I think about this? Frankly, I think it effing rocks.
I've always been a fan of science fiction, mostly because I'm a fan of any kind of storytelling that puts characters in life-threatening situations. Characters behave so differently in life-threatening situations. :) And science fiction is an excellent avenue for that. But usually there's never enough dialogue, romance, emotion in science fiction stories. It's there, but a lot of times it gets overshadowed by the big action scenes. I love a good action scene, when it's crucial to the plot and when I feel locked into the characters and I truly, truly care about them. But there can easily be too many action scenes. Too many.
So two of my favorite books that I've read this year have been the Uglies series by Scott Westerfeld and The Hunger Games by Suzanne Collins (okay, so technically that's five books, but whatev). I think these two series have started what I think is a new kind of subgenre of YA science fiction.
GRRL-power science fiction.
And also, both are writing what I would call, um, speculative sci-fi with a hard look at human nature and our current society. They recall the kind of science fiction that Ray Bradbury and George Orwell wrote.
And they're doing it for teenage girls!!
About fricking time!
The series take on some pretty heavy themes. Uglies takes on the emphasis of beauty in our culture, the imprint we're making on the environment, the ability of humanity to live in harmony, and (in Extras) the currency of popularity via the internet. The Hunger Games deals with totalitarian governments, the impact we're making on the environment, the gap between the rich and the poor, the inability of the wealthy to grasp the humanity of those less fortunate than them, the appetite for violence within humanity, and the disconnect between actual violence, onscreen violence, and violence as entertainment. Heady, heady stuff. (Enough to make the English teacher within me leap for joy.)
Unfortunately the world doesn't seem to be taking enough notice of this stuff. The books are ignored because they're YA, and furthermore, somewhat dismissed by some as rip-offs. Collins' book in particular is often accused of ripping off Battle Royale and The Running Man. Which, well, it does.
There are similarities between Uglies and an episode of The Twilight Zone called "Number 12 Looks Just Like You," (here, read the wikipedia article: http://en.wikipedia.org/wiki/Number_12_Looks_Just_Like_You).
I could get pretty postmodern here and talk about how all ideas are reused and that the current form of art is pastiche and maybe even bring up Derrida, but--
I think the very truly original thing about these works is their packaging. Sure, these science fiction themes and ideas have been used before and sure, the stories aren't new. But they're being done in a completely new and exciting way. The books feature female protagonists, they have hot guys (both seem to also feature a love triangle, now that I think about it), and the girl protagonists kick ass. :)
None of what is brilliant about the sci fi genre is sacrificed. There's still action. There's still heavy themes. There's still cool technology and crazy fight scenes. It's just that now teenage girls are reading these books and seeing how cool all of that stuff is in addition to hot guys and love triangles. God, it's brilliant.
Plus, with both of these books currently being optioned as movies, we're going to see a new trend in the science fiction genre in general. I think the audience is going to expand from being mostly guys to including girls. And I think we're going to see less and less stupid action-glutted sci fi with no real characters. Yay!!
I want in on the action, myself. I mentioned in my post about the webfic serial that I would never write a story about vampires, because everything had been done before.
Well, I think I'm about to eat my words. Because I have a vampire story I'd like to repackage for teenage girls.
He he. I present to you the garbled version of I Am Legend--now with a love triangle.
Yeah, okay, well, I'm still working out the details, but I really like the original theme of that book (no the Will Smith movie doesn't count), which was prejudice. It's a theme worth writing about, and it's a fun way to do it. Plus, I think Richard Matheson was just fleshing this idea out. There are levels and levels to traverse here.
I'm excited. Who's with me?
Tuesday, July 7, 2009
The question, though, is what will it be about???
I know I want it be teen-oriented. I know I want it to be a bit on the angsty side. I think I want it to be supernatural.
I really feel like in a long serial story like this, the plot is a little throw-away-y. What I mean is that I didn't watch Buffy for seven years because it had vampires. I started watching it because it had vampires. I came back because of the characters and themes, which were stellar. So...to that end, it's not entirely important what I pick, exactly, but I do need something cool.
I will NEVER write ANYTHING about vampires. EVER. (Unless I come up with something really, really, really cool that has never been done before, and I really feel like everything cool has been done.)
My current thoughts:
Mystery stories/teen detective
Any of the following at a boarding school
Any of the following involving really rich people
I'm somewhat partial to the idea of werewolves. I think werewolves get short shrift these days, usually playing second fiddle in vampire stories. It might be fun to write something about standalone werewolves. But...i dunno. Werewolves tend to get a little messy, what with the going nuts at a full moon and hurting people. Plus, it's annoying--unless you mess with the mythology--because they're only werewolves during the full moon, and that really limits the way you set up your story.
Other than that, nothing's really standing out to me. I know I'm just going to have to let this marinate, but it's annoying, because I have tons of energy right now. I'm really excited about the project. I really want to work on it. But I need an idea first!!
Friday, July 3, 2009
I picked my career in high school because I wanted to have a day job that wouldn't interfere with writing. (Of course, from a high-schooler's perspective, teaching looks easy. It's not, but. Well.) I always assumed that I would write while working for a few years and that (probably sometime in my midtwenties), I would be discovered. Then I'd quit my day job and spend my days like Stephen King, writing ten pages a day. What a life, I thought.
This is still my dream. I still would love to write full-time. But the problem is that somewhere between really getting serious about writing novels (around 23) and now, I unfortunately let writing full time become my goal and not my dream.
There's a difference between goals and dreams. Dreams are something that you long for. That you, well, dream of. Hope for. Aspire to. Wish for. Goals are things in which you believe that you can achieve, if you just follow all the right steps and work hard enough.
The thing about goals is that you should never make goals about things in which you can't control the outcome. Say I wanted to make a goal of exercising 20 minutes a day or going to California. That's fine. Because I can do those things. California is there. The steps I need to take are to find the finances, arrange the transportation, and go. I can do that. Me. All by myself.
But writing full time isn't like that, because I need people to help me achieve that goal. Basically, I need people to give me money. And I can't force people to do that. I have felt like a failure for a long time, because I felt like I was working so hard to reach my goal, and I just wasn't getting anywhere.
I think that's why I decided to self-publish. Getting myspace feedback for the first scene of my book was electrifying. I just put it out there, asked people to look at it, and they did. It seemed so easy. Emboldened, I thought that this was the way I would finally be able to achieve my goal. After all, I was actually interacting with people, not just getting form-letter rejections. This was it!
But it wasn't. It's sincerely hard to get people to read fiction, even for free. Of my 5000 myspace friends, I estimate that only about 250 of them actually read my story. And of those readers, only seven have purchased my book. And here's the thing. To come out of nowhere, start posting a webfic, and have 250 readers is a pretty awesome thing. And to sell seven copies of a self-published novel in a day is no mean feat either. Shannon Yarbrough, author of Stealing Wishes and one of the few self-pubbers willing to actually tell his sales numbers, only sold 29 books in a whole year!! (His Kindle sales were much higher, however.) So, really, I should be feeling pretty proud of myself right now.
And if that weren't enough, I can't open my myspace without finding kind comments from one of my readers, who say things to me like, "The days you post your book are my favorite days!" How sweet is that, honestly?
But, you know what, this morning, I still felt like a failure. And that's because, in terms of making a living writing, I've done absolutely nothing. And since I viewed that as a goal, I felt like crap.
Making money from writing should not be my goal. It should be my dream.
My goals should be attainable things--things that actually can control. Things like delivering a reliable and entertaining serial novel. Things like writing the best books I can.
I think, that maybe I'm going to be a whole lot happier if I stop treating writing like a career and start treating it like a hobby. I'm never going to stop writing. It wouldn't matter if no one ever read a single word that I wrote. I'd still be doing it. So why am I trying to force myself to work towards a goal that I don't have control over?
Here's what I'd like to do in the future. I'd like to finish posting the Jason and Azazel trilogy on the web. I'd like to self-publish the novels I have that made the rounds with agents and got rejected. I'd like to keep trying to submit to the big houses with my new books, but know that if they get rejected, I've got a place to publish them and a small, but growing, number of readers. Overall, right now, for a hobbyist, I'm really damned successful. And I think I'd like to stay that way. :)
Thursday, July 2, 2009
And not only that, in the five hours it's been available for sale, I've already sold five copies. ;) That's one copy an hour. Totally awesome. Thanks everyone.
If you'd like a copy of Breathless of your very own, you can buy it here: https://www.createspace.com/3389476
Not only does the book contain the full text of the novel, but also the following extras: Behind the Pen: the Making of Breathless (an essay), a chapter-by-chapter author commentary on the book, a Jason character sketch, an interview with Jason, and the first scene of the sequel, Trembling.
by v.j. chambers
I don't usually share my visions in this forum, considering I feel that visions are a personal experience, generated mostly for my own spiritual growth and edification. However, since there has been so much talk about the vision I received years ago, especially recently, I want to detail it here.
In my vision, I saw a teenage boy who had been raised by the agents of Order to take over the world. I saw this boy rise to power. I saw him take away the rights of choice and decision from countless numbers of people. Then I saw a girl, filled with the spirit of Azazel, come from the depths of the woods. She carried with her a spear of fire. And she smote the agent of order, and Chaos reigned again in the world.
(c) Michaela Weem, www.thegreatgodazazel.com
Trees streamed by outside the window of Toby's truck as I struggled against the rope he'd tied my hands with. Toby drove recklessly fast, his mask still on. I didn't think he could see with it over his eyes. I strained, yanking my wrists away from each other as hard as I could. But the rope held. I wasn't doing anything except giving myself rug burn.
I glared at Toby. "Where are we going?" I asked. Was this some kind of practical joke? If it was, it wasn't funny. I really wasn't enjoying it.
Toby just laughed from behind his mask. He didn't answer.
"What are you doing with Jason?" I asked.
Nothing from Toby.
I was flabbergasted when Toby pulled his truck into my driveway. He was taking me to my house? Why were we here? Toby got out of the truck and came around to my side. Roughly, he pulled me out. I stumbled as I tried to keep my balance while he yanked me forward. Behind us, I could see the car that Jason was in. He was getting similar treatment. The football players, still wearing their masks, were dragging Jason along with them.
"Toby, what is going on?" I demanded.
Toby cocked his head at me. From behind the mask, he looked so blank. "Oh, come on, Zaza," he said. "We're going to consummate our relationship. Isn't that what you've wanted all this time?"
I winced at the ugliness of his voice. And what the hell was he talking about? If Toby thought I still wanted to have sex with him after what had happened, he was a mental patient. I didn't want to look at Toby ever again, let alone touch him.
He dug his fingers into my arm and tugged me forward. I had to go with him. If I resisted, I'd just fall down.
The lights in my house were all off, but the kitchen door was open. We all went inside. Toby led the group of masked madmen through my dining room and living room, to the door to the basement. He opened it.
The soft light of candles greeted us. Our basement wasn't much. It wasn't finished. It was just a concrete hole in the ground. It always smelled musty down there, and no one went into it except to get our washer and dryer.
But someone had been in the basement recently. A tea light candle blazed on each step of the stairs leading down into its depths. Toby forced me onto the first step. I tried to resist, but he was strong. Carefully, we descended into the gaping mouth of the basement, one step at a time. As I got lower and lower, I could see that the entire basement was covered in candles. They were clustered in every corner. They sat on tables, which surrounded the room. Each table was covered in a black velvet tablecloth. The washer and dryer had been similarly covered in black velvet, and candles of various heights and widths placed on them.
All of the candles were black.
On one of the tables, many silver chalices sat next to a decanter of wine. There was also a loaf of bread next to them. It sat on a silver platter. In the center of the basement, there was a bed. It was covered in black silk sheets. From the steps to the bed was a trail of black rose petals.
I nearly gagged. What was this? What had Toby planned? It was like an inversion of everything he'd ever said to me. Black rose petals? A bed with silk sheets? Me tied up? Half of the football team?
I was started to feel very, very frightened.
"We're a little early," said Toby to the rest of them. He pulled some rope from his pocket and tossed it to his friends. "Tie Jason to that pole," he ordered, gesturing with his head.
The football players dragged Jason to the pole and began lashing him to it. His arms. His feet. His neck. Jason caught my eyes. I looked back at him. I could tell he was trying to figure out a way out of this.
"I'll get Azazel ready," said Toby, his voice cruel and determined.
Toby took me to the bed. He made me sit down. I realized that not everything silk on the bed was a sheet. There were also two black silk hooded robes sitting next to us. They looked like something off the cover of a death metal album. What was this? What was going on? My heart beat in my chest loudly. It pumped blood against my temple. I was freaking out.
I tried to smile at Toby. "Okay," I said. "This was funny. I'm laughing. You can stop now, though. Really."
Toby sighed. "It wasn't supposed to be like this Azazel. I didn't want to have to tie you up. But after you heard Lilith and me, I didn't know what else to do. The ritual has to go on as scheduled, whether you're willing or not."
Ritual? What ritual? I was terrified.
"I'm going to have to untie you for a minute," said Toby. "But you can't try to run away or anything, or else I'm going to have to get some of the guys over here to hold you down. And I really don't want to do that."
Okay. Maybe I wouldn't run.
Toby fumbled in his back pocket for a pocketknife. I shied away from it as he opened the blade. But he just cut the rope holding my wrists together.
Toby surveyed the marks on my wrists that I'd made trying to get free from the rope. He touched them almost tenderly. "You shouldn't have struggled," he said. "You're just hurting yourself." He looked into my eyes. "This is really an honor, you know. You're going to become so powerful."
Powerful? Honor? Hadn't Toby said something about an honor in the restroom earlier? Oh God. There was more to everything than just Toby and Lilith having sex. They'd said all kinds of weird things. And they both had said things about not being allowed. This was connected to that, somehow. Somehow.
Toby reached around me and put his hands on the zipper of my dress. He started to unzip it. He was going to take my dress off?! In front of everyone?!
"No!" I said. I put both of my hands on his chest and pushed him as hard as I could. He grabbed my wrists, irritated.
"Don't struggle," he said. "I'm just trying to put the robe on you."
"Toby, don't," I begged suddenly. "Don't." I looked deep into his eyes, and shook my head, trying to find some piece of the boy I thought I knew in there.
"Don't look at me like that," he yelled. He dropped my hands and took a step back, disgust all over his face.
I pressed my advantage. "Toby, you can let me go," I said. "You can just let me go. I won't tell anyone. I'll just walk away, and I'll—"
"It's not supposed to be like this," he said.
"Please Toby," I said.
He reached over and balled up one of the robes in his hands. He shoved it at me. "Put on the robe," he said, his voice shaking. "Just take everything off and put on the robe."
A little sound escaped my mouth. Take everything off? I didn't want to—I couldn't think about what was going to happen to me.
Jason looked at me from where he was tied to the pole. His face was unreadable.
"Do it!" Toby screamed.
I couldn't. I couldn't just take off my clothes.
Toby turned around. He glanced over his shoulder. "Don't try to run," he warned me.
The other guys on the football team were standing around Jason, watching Toby and I.
"Turn around," Toby ordered them.
Silently, they did.
"And Jason," said Toby. "Close your eyes."
Jason closed his eyes.
But I couldn't move. I looked at the crumpled robe in my lap, and I couldn't move.
"Hurry up," growled Toby.
And because I didn't know what else to do, I did it. I unzipped my dress. It fell off me, pooled around my feet. There I was in the lingerie I had put on for Toby to see. I nearly gagged in revulsion. But I took it off. And I put on the robe. It buttoned up, and I buttoned every button, but I still felt very, very exposed.
"I'm done," I whispered.
Toby turned around. He looked me up and down. "Good," he said. Then he tied my hands again. He walked me over to the football players, threw me into one of their arms. "Hold her," he said. "I'll be back with the rest of the coven to do the Invocation."
Toby swept up the stairs. One of the football players had me in a bear hug. There was nothing between my skin and his body except the stupid, flimsy robe. I started to think about what was happening to me, to speculate about the near future. Then I decided it was a bad idea, and so I stopped. I just concentrated on breathing.
In a few minutes, the door at the top of the steps opened and a long line of people in black robes like mine came down the steps. Their hoods were over their heads and they stared at the floor. I couldn't see their faces in the scant candlelight.
They formed a circle. One of them came for me, pulled me into the center of the circle.
Now that he was close, I could see it was Toby.
"Why are her hands tied?" asked one of the hooded people. The voice sounded familiar, but I was sick of identifying voices tonight. I knew who it was, but I didn't want to know, so I just tried not to.
"Complication," said Toby. "Let's just get on with it."
"Untie her," ordered another hooded person. I knew that voice too.
No. No. No.
I struggled for other thoughts, and there was only one. No.
Toby fumbled with the knot at my wrist. I had started to shake. My teeth were chattering. I couldn't believe this was happening to me. I couldn't believe it. Maybe, if I tried hard enough, I'd just faint. Couldn't I just faint? Couldn't I just make this not real, somehow?
One of the hooded people advanced to help Toby. I could tell from her hands that she was a woman as she deftly untied the knot at my wrist. I purposefully didn't look at her face. I tried so hard not to, but...
She cupped my chin in her hands. "Zaza, it's okay," she said.
And then I lost it. I started sobbing. And I said the only word I knew to identify the woman with. The only thing that sprang to mind. My voice broke with the betrayal of it. "Mommy," I sobbed.
My mother gathered me into her arms. "Why are you crying, sweetie?" she asked me.
Why was I crying? Was she insane? My own parents had set me up to be in some sort of cult ritual where my boyfriend...raped me, and she wanted to know why I was crying?
Still, I clung to her as my body was wracked with sobs that I thought would tear me apart. She was the only ghost of comfort left in a world that had been completely and utterly turned upside down, ripped apart, ruined.
My mother clutched me, stroking my hair. She turned to another hooded person. "Daniel, I told you she wasn't ready," she said.
My father lowered his hood. He looked at us sympathetically. "It has to be tonight," he said helplessly. "The next night of power isn't until the solstice. We can't wait that long."
My mother nodded. She turned back to me, wiping at my tears, brushing my hair out of my face. "Okay, then, Zaza," she said. "You're just going to have to be strong, okay? Can you do that for me? Can you be my strong girl?"
No, I couldn't be strong! What did she want from me? I just shook my head violently, back and forth. I couldn't do this. I couldn't do this.
Around me, all of the hooded people were lowering their hoods. Lilith. Sheriff Damon. His wife. The principal of my high school. Mrs. Clem, the dean of students. Mrs. Zimmerman, my French teacher. Sherry Astor. My older brothers, Noah and Gordon. I knew them all. I gazed around the circle, and I saw the pillars of society in our town. I saw people from my high school. They were all part of this. Whatever this was. I didn't know. And I didn't think I wanted to know.
"This is all going wrong," said Sheriff Damon. "What did you do, Toby?"
Lilith stepped forward. "It’s not Toby's fault, it's mine," she said. "Let me talk to her." She walked up to me and took my hand. "Upstairs, Zaza," she said.
Confused, I let Lilith drag me upstairs.
Once through the basement door, she shut it after us. She looked down at herself. "God, these robes are so unflattering," she said. "You'd think they'd at least let you wear a bra under them, you know? But it's all, 'The host has be defiled through sexuality, blah, blah, blah.'"
What was she talking about?
"You're probably wondering what's going on," she said.
That was an understatement.
"It's weird, I know," she said. "When it happened to me, I was totally freaked out, too."
"This happened to you?" I asked in a small voice.
"Well, sort of," she said. "It's supposed to happen on your eighteenth birthday, and there's supposed to be a little more lead up to the whole thing, like a couple hints and a test."
"Not like on paper, but someone from the coven like grills you on choice and chaos and junk. You didn't get that because you've been chosen from birth to be the vessel or whatever, and they had to rush the whole thing, because Jason showed up, so they have to do the Invocation and the Entering of the Circle all on one night. Which incidentally is almost over. We've got like fifteen minutes until midnight, so I've got to talk fast."
"What?" I said. But I was starting to calm down. Sort of. At least Lilith seemed like herself still.
"We're Satanists, Azazel," said Lilith.
Satanists?! I considered bolting for the door right then. But I was only wearing a flimsy black robe, and practically everyone I knew and would ask for help was already in my basement. Besides I couldn't leave Jason down there with them.
"I mean, kind of," said Lilith. "We worship Azazel. The demon you're named after."
"Oh God," I moaned.
"Yeah, don't say that. That's like blasphemy," she said. "Okay, so, see Azazel is an incarnation of what most people would identify with Satan. But we worship Satan, or Azazel, because he symbolizes the ability of people to have free will and to be individuals. We worship Chaos because it isn't stifling, and it doesn't assume that people need order enforced upon them to function properly in society."
She sounded like she was reciting something.
"So we reject the incarnations of order, including Christianity and other organized religions, because they impose a set of rules and values onto people which is...stifling. You following me?"
"Kind of," I said.
"Okay, so, when you're eighteen, you Enter the Circle by participating in a Black Mass. Which is like a perversion of a traditional Mass. So we take the host—or communion or whatever—and then everybody has sex."
"Eew," I said.
"Not in front of each other. And usually with their husbands or wives or boyfriends. Usually. And the initiate—in this case you—has sex with someone in the room with it all set up like it is."
"Why?" I said.
"It's just a ritual. I don't know. I think because everyone in town is horny," she said.
"And the initiate is a virgin?" I asked.
"Not usually. I mean, I wasn't. Most eighteen-year-olds have gotten it on, you know what I mean. But you like had to be, because you're the vessel. And so, they made Toby date you and not have sex with you, so that you'd be pure."
"But you said that you and Toby started dating after eighth grade," I said. "I thought you didn't find out about this stuff until you were eighteen."
"Our parents bribed us," said Lilith. "They gave Toby that truck so he'd date you. And my parents gave me my computer. It was important that you didn't have sex."
"This is gross," I said.
"When you think about it, it's not really that much grosser than thinking communion wafers turn into someone's body in your mouth," she said.
That was gross. "But what do mean, I'm the vessel?" I asked.
"Oh," she said. "That. Well, see this other Satanist chick who runs this online forum or something had a vision of Jason, like seventeen years ago, before he was born. And in her vision, a girl filled with the power of Azazel vanquished him. I'm not sure how they know this, but she confirmed that was you, after you were conceived. So, they're gonna do an invocation to Azazel, and the spirit of Azazel will fill your body, and then...you'll kill Jason."
"What?!" the words exploded out of me.
"I know," said Lilith. "I mean, I'm kind of on board with the whole let's-be-free-and-have-lots-of-sex thing. And the black robes aren't even all that bad. But this is kind of...I don't know. I mean, they say that Jason really isn't a person, because he's an agent of Order or whatever, and he's destined to like enslave the entire human race, but...I mean, didn't they say that about Jews during the Holocaust or black people when they were lynching them?" She looked very thoughtful. "I don't want to go against the coven, but I just kind of feel like it would be...wrong to kill someone."
I covered my face with my hands. Lilith was stupid, I realized. I had no idea how we'd been friends for as long as we had. Had I never noticed what an idiot she was? But I had to get Jason and me out of here. Somehow. Because there was no way I was killing him. "So," I said, "what order is this going to happen in? I mean, Invocation first or Entering the Circle first?"
"Invocation," she said. "We have to. It's practically midnight. So, I figure, they'll invoke Azazel, then everybody will get it on, and then we'll all get back together so that you can kill Jason."
"Okay," I said. I could work with that. So they were going to invoke the spirit of Azazel into my body, huh? I could handle that. Especially since I didn't believe Azazel existed. While they were doing that, I was going to have to come up with a plan that didn't involve my getting it on with anyone and also involved my getting both Jason and I out of here alive. "Let's get this over with."
"Really?" said Lilith. "I didn't think you'd want to kill Jason."
I shrugged. "I'm the vessel," I said. "I guess some part of me's always known this is what I was born to do."
Lilith shrugged back. "Cool." She smiled. "That didn't take nearly as long as I thought it would." She paused. "Oh, and Zaza, I'm really sorry about sleeping with Toby. I really am."
"Save it," I snapped. "We'll talk about that later." If I'd actually been planning to stick around, I would never have forgiven her for that.
Lilith led me back down the steps triumphantly.
"I'm ready," I said.
My mother put her hand to her chest and breathed a sigh of relief. "Oh thank Chaos," she said. "I was so guilty, Zaza. I really didn't want to push this on you."
"It's fine, Mom," I said. I'd think about the fact that my mom was a demon worshipper later. Right now, I had to save Jason.
He was still tied to the pole. Hoping no one would notice, I winked at him. If Jason saw, he didn't acknowledge it with his face.
I rejoined Toby in the center of the circle. They all raised their hoods again, so I did too. Toby took my hand. Oh yuck. I did not want to hold Toby's hand. But I had to play along, at least for a little while.
Suddenly, everyone in the circle began intoning some kind of chant in a language I didn't understand. I peered out from under the edge of my hood. Weird. Creepy.
My father stepped forward. He approached me and lifted his hands up to the ceiling. "Great God of Chaos, Azazel, I invoke thee," his voice rang out, echoing off the walls.
He nodded at me. "Repeat that," he said.
Sure, whatever. I raised my hands questioningly. My dad nodded. "Great God of Chaos, Azazel, I invoke thee," I said and really hoped my voice didn't sound sarcastic.
My mother approached, holding an ornate silver chalice. She handed it to my father. He held it in front of me. "Fill your vessel as this liquid fills her body." His voice still had that ringing quality. It was kind of scary.
My father handed me the chalice. I took it. "Repeat," he said.
I hesitated for a second. What if I was wrong, and Azazel really was real? What if I really did get filled with the spirit of a demon?
I chewed on my lip, undecided.
No. There was no way that demons were real.
"Fill this vessel, as this liquid fills my body," I said. This time, there was definitely a cocky edge to my voice.
"Drink," said my father.
I put the chalice to my lips. I drank.
"Finish it," said my dad.
I didn't really know what I was drinking. It tasted alcoholic, but it wasn't beer. Was it wine? I chugged it, grimacing from the taste.
Well. Nothing was happening. Maybe they'd done it wrong.
But everyone seemed satisfied. A hooded person, I couldn't tell whom, was gathering the less ornate silver chalices I'd seen on the way in and handing them to each person. Behind them, another robed person offered them the loaf of bread. Each person silently ripped off a hunk of bread. Once they had bread and wine, they started up the steps in pairs. I guess this was the defiling of the host part of the Black Mass. All in all, I was finding it pretty anti-climactic.
Finally, there was no one left but Toby and me. We were each handed a wine glass, and we each took our bread. Then the people who'd given it to us also went up the steps. Toby and I were alone, except for Jason, who was still tied to the pole.
Toby stuffed the bread into his mouth and chewed. I did the same thing. Then he drank his wine in one gulp. I drank mine too. That was definitely not the same stuff that had been in the chalice. What had I drunk? I desperately hoped it wasn't something disgusting like animal blood.
Now, here was the problem. We'd done the Invocation, and were somewhere in the middle of the Entering the Circle, and I still hadn't come up with a plan to save Jason.
Toby advanced on me.
Great. What was I going to do? What was I going to do? I glanced around the basement, hoping for inspiration. All I saw were candles and Jason.
I made a face at Toby. "Do we have to do this with him watching?" I asked.
Toby looked over at Jason.
I didn't think. I just acted. I grabbed onto Toby's shoulders and kneed him as hard as I could in the crotch.
Toby howled, doubling over in pain.
I ran to Jason, fumbling with the knots behind his hands. I couldn't get them undone! What was I going to do?
Toby was still bent over, moaning.
I dashed over to the washer and dryer and grabbed a candle. Back behind Jason, I used the flame to burn the rope.
Jason made a noise when I burned him.
"Sorry," I said.
But he snapped the rope that held his hands.
Toby was gagging on the other side of the basement.
"My neck," said Jason. "Get the one at my neck!"
I held the candle higher. Jason held the rope away from his skin so that it was easier for me to burn it. The smell of burning rope filled the room. Jason pulled at the rope. It snapped too.
Toby was getting up and lumbering towards us. Apparently, he'd recovered from the kick I'd given his balls.
Panicking, I knelt down to get the rope at Jason's feet.
Jason knelt down too, holding the rope in the same manner as he had before.
Toby came closer. He reached for Jason.
Jason balled up a fist and punched up into Toby, catching him in the stomach.
Toby stumbled backwards.
Jason yanked hard on the rope at his feet, and it broke as well. He was free.
But Toby was on his feet again and coming for Jason.
Like the time in the alcove, Jason moved fast. He punched Toby's face twice, hard—one-two. Toby's nose started to bleed, but he kept coming. He threw a punch at Jason, which Jason easily sidestepped.
Toby's punch left his midsection open. Jason's fists collided with Toby's stomach again. Toby fell back again, and tried to grab at Jason, use his momentum to topple both of them.
Instead, Jason kicked Toby's feet out from under him. Toby hit the floor hard. Jason didn't stop, even though Toby was down. He kicked him in the face. Once. Twice. Three times. He kicked until Toby stopped moving.
Then he looked at me. "You're okay?" he asked.
I nodded. "Mostly," I said. "You?"
"Never better," he said tightly. He looked around the basement. "Where'd the others go?"
"They're busy," I said. I didn't even want to think about it. Yuck. "Come on," I said, reaching for his hand.
I pulled us up the steps and out into the living room. There were robed people lying horizontal on the couch. I didn't look. I didn't want to know who it was.
We raced through the dining room. There were robed people on the dining room table. Oh, gross, gross, gross!
They noticed us flying past. "Hey," said a male voice.
We darted through the kitchen and outside. We ran up the driveway. Then I realized the hole in my plan. How were we going to get away? And where were we going to go?
I stopped, but Jason dragged me forward. There were tons of cars in the driveway, all belonging to people who were inside, I guessed. Jason started trying door handles. They were locked.
"Help me," he said.
I went to the first car I saw and yanked on the door handle. Locked. Second car next to it. Locked.
"Got one!" Jason called. I looked up. He was several cars down from me, standing next to the open door of a glossy black Nissan. I ran to him, opening the passenger's side door.
"You know how hotwire a car?" I asked.
"I do," he said, "but lucky us, the keys are in the ignition." And he started the car.
As Jason backed the car out of the driveway, robed people began filtering out of the house, running towards their cars.
We pulled onto the road, and Jason sped away from my house, going as fast as he could around the curves. I reached for my seatbelt. I hoped we weren't going to die in a car wreck. "They're going to follow us," I said to him.
"Yep," he said. "And that's not our only problem."
"What?" I said.
"I'm still wearing the goddamned ankle monitor," he said.
"Fuck!" I exclaimed.